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Juliana Hodkinson,
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Small (1-3)
Medium (4-11)
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Small (1-3)
Medium (4-11)
Large (12+)
with electronics
with visuals
with voice
with text
composer in performance
with electronics
with visuals
with voice
with text
composer in performance
Staged
Semi-staged
Staged
Semi-staged
Audio available
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Audio available
Video available
Score available
WORKS
Nothing breaking / rolling silence (2024)
performance installation
9 minutes
·
with electronics
with voice
On the line (2024)
for 6 musicians and active listeners
30 minutes
·
with voice
with text
Nothing breaking the losing / no care (2022)
performance installation
15 minutes
·
with electronics
with visuals
with voice
with text
composer in performance
Ground View (2022)
ensemble and electronics
75 minutes
· with audience conversations
with electronics
Broadcast for the insects (2022)
outdoor performance
10 minutes
· with species interaction
Small transactions (2022)
instrumental and participatory performance
20 minutes
·
with electronics
with voice
with text
Nothing breaking the losing / necessary places (2021)
performance installation
15 minutes
·
with electronics
with voice
with text
Future Unreal (2021)
outdoor music
30 minutes
· ambient choir in public space with smartphone synth apps
with electronics
with voice
with text
Grenzland / Grænseland (2020)
12 voices
5 minutes
·
with voice
with text
♥ LOVE (2019)
performance in chambers with lottery
60 minutes
· with Icelandic Love Corporation, Ensemble Adapter
with electronics
with visuals
with voice
composer in performance
Staged
All Around (2019)
surround orchestra
15 minutes
· orchestra, with distributed musicians and urban field recordings
with electronics
And have now forgiven everything (2018)
unplugged
16 minutes
· Accordion and string quartet
(something in capitals) (2017)
voices and instruments
18 minutes
· for 6 or 12 amplified voices, mini synth/radios, small bells, and 4 or 8 instrumentalists
with electronics
with voice
with text
... can modify completely/ in this case/ not that it will make any difference ... (2015)
electric guitar and orchestra
12 minutes
· for brass, harp, percussion, strings and solo electric guitar with audio playback
with electronics
Is there something you can tell us (2014)
string quartet
10 minutes
·
The Coastline Piece III: West (2014)
ensemble and electronics
20 minutes
·
with electronics
A Theatre of Sounds (2014)
ensemble and electronics
90 minutes
· Portrait concert
with electronics
with visuals
Trembling Superheroes (2014)
portrait concert
70 minutes
·
with electronics
Semi-staged
Angel View (2014)
ensemble and electronics
30 minutes
· 7 players
with electronics
Semi-staged
Prompt, immediate, now / very restrained and cautious (2013)
electroacoustic quartet
15 minutes
· for clarinet, percussion, viola, cello and samples
with electronics
Third-Millennium Heart (2013)
electroacoustic quartet
· for trumpet, electric, guitar, toy piano & pocket piano, percussion and samples
with electronics
Rückspiegel: eine Hörsituation (2011)
youth outreach production
50 minutes
· for baritone, chamber ensemble and youth groups
with electronics
with voice
with text
As we know (2010)
speaker and instruments
1 minute
· speaker, percussion, violin and cello
with electronics
with voice
with text
Welche Autos werden wir in 25 Jahren fahren? (2009)
quartet with soundtrack
12 minutes
·
with electronics
with voice
We'd just got back from outer space, when there was a knock at the kitchen door (2008)
orchestral
5 minutes
· for large orchestra and 2 sheng soloists, with audio playback
with electronics
Befall (2005)
prelude for 4 instruments
5 minutes
· for violin, clarinet, cello and piano
with voice
I greet you a thousand times (2005)
orchestral, with video
30 minutes
·
with electronics
with visuals
Inapparent air and aviary (2004)
instrumental sextet
10 minutes
· for picc, E-flat clar, trombone, piano (with radio, metronome, bird-whistle), violin and cello
All that we cannot say (2001)
instrumental theatre
10 minutes
· for oboe and cello, with 2 assistants lighting matches
Semi-staged
All the time (2001)
instrumental theatre production
70 minutes
· for oboe, clavichord, theorbo, electric guitar, and assistant lighting matches
composer in performance
Staged
sagte er, dachte ich (1999)
instrumental septet
10 minutes
· flute, clarinet, percussion, piano, guitar, viola, cello
Some reasons for hesitating (1999)
large ensemble
11 minutes
· 15 musicians with no score and no conductor
The analysis of mortality (1999)
vocal quartet and scissors
7 minutes
· vocal quartet (SATB), each with a pair of scissors
with voice
with text
Machine à eau (1998)
solo cello and string orchestra
15 minutes
·
Water like a stone (1996)
8 instruments
9 minutes
· for flute, clarinet, percussion, celeste, harpsichord, guitar, violin and cello
